setelah seekian lama akhirnya gue ngeblog lagi... akhirnya....
akhirnya nulis lagi...
akhir" ini dikampus gue... hmm sebuah kampus musik yang sangat aneh tpi nggk membosankan..
dimulai hari ini dengan final test...
mengantar bokap ke bandara, dan sekarang lagi hang out ma pacar gue dn temen"nya..
di SEVEL boooooo....
sebuah tempat asik yang suka menguras duit orang...
untung gue bisa ngeblog gratis....
Selasa, 25 Januari 2011
Rabu, 28 April 2010
Trumpet scale and basic
MOUTH SHAPS / MAKING SOUND
The following outlines the first steps to attaining a good mouth shape for trumpet playing.
* Keep your teeth slighly apart. Your lips should be only lightly touching. Hold the lips as if about to say the 'M' in 'mother'.
* Blow to make your lips buzz.
* Now put the trumpet mouthpiece on your lips and make the same buzz into the center of the mouthpiece.
* To make a clear start to the sound you use your tongue. Start the next buzz with a 'T'. Do not put your tongue outside your lips - it stays inside your mouth.
* Now try putting the mouthpiece into the instrument and try the same thing- you should be able to produce a note.
Things to watch out for:
* Do not stick your lips out as if blowing a kiss!
* Do not puff your cheeks out when blowing
* Do try to breathe from your stomach - when you take a deep breath don't raise your shoulders.
* Do practise blowing long notes into your instrument and holding them. Learning to control your breath is crucial to good trumpet playing.
HIGH AND LOW SOUND:
Once you've practised the lip-buzzing we discussed in Lesson 1, we'll see here how it's possible to make higher and lower sounds by adjusting your lips.
* To make higher sounds, your lips must be tighter together when you blow the air through them. You will have to blow harder to make this happen.
* To make lower sounds, relax the lips and blow more softly.
Start by trying to make higher and lower sounds into the mouthpiece by itself. When you think you've got the hang of it, try it on the trumpet itself.
Up and down exercise
BREATHING CONTROL:
Learning how to control your breath is crucial to good trumpet playing. Here we'll take you through some of the basic dos and donts.
Breathing in
When you breath in, the air should fill the lower reaches of the lungs first. You should be able to feel your abdomin swelling up as you breath in. Most importantly - do not let your shoulders rise as you breath.
Breathing out
The main thing to learn about breathing out is being able to control the speed at which the air is exhaled.
To play a long note at a consistent volume, you need to exhale at a consistent level. All loudness and softness on the trumpet is controlled by the speed of the air.
Exercise playing long notes
* Play long notes with full breaths. Do not strain at the end, but remain relaxed.
* When the note has finished, inhale fully and play the same note again.
* Once you have practised this a few times repeat the exercise starting very soft and increasing in volume to the end of the note. Try to time the increase so that you don't arrive too soon at the loud note.
The following outlines the first steps to attaining a good mouth shape for trumpet playing.
* Keep your teeth slighly apart. Your lips should be only lightly touching. Hold the lips as if about to say the 'M' in 'mother'.
* Blow to make your lips buzz.
* Now put the trumpet mouthpiece on your lips and make the same buzz into the center of the mouthpiece.
* To make a clear start to the sound you use your tongue. Start the next buzz with a 'T'. Do not put your tongue outside your lips - it stays inside your mouth.
* Now try putting the mouthpiece into the instrument and try the same thing- you should be able to produce a note.
Things to watch out for:
* Do not stick your lips out as if blowing a kiss!
* Do not puff your cheeks out when blowing
* Do try to breathe from your stomach - when you take a deep breath don't raise your shoulders.
* Do practise blowing long notes into your instrument and holding them. Learning to control your breath is crucial to good trumpet playing.
HIGH AND LOW SOUND:
Once you've practised the lip-buzzing we discussed in Lesson 1, we'll see here how it's possible to make higher and lower sounds by adjusting your lips.
* To make higher sounds, your lips must be tighter together when you blow the air through them. You will have to blow harder to make this happen.
* To make lower sounds, relax the lips and blow more softly.
Start by trying to make higher and lower sounds into the mouthpiece by itself. When you think you've got the hang of it, try it on the trumpet itself.
Up and down exercise
BREATHING CONTROL:
Learning how to control your breath is crucial to good trumpet playing. Here we'll take you through some of the basic dos and donts.
Breathing in
When you breath in, the air should fill the lower reaches of the lungs first. You should be able to feel your abdomin swelling up as you breath in. Most importantly - do not let your shoulders rise as you breath.
Breathing out
The main thing to learn about breathing out is being able to control the speed at which the air is exhaled.
To play a long note at a consistent volume, you need to exhale at a consistent level. All loudness and softness on the trumpet is controlled by the speed of the air.
Exercise playing long notes
* Play long notes with full breaths. Do not strain at the end, but remain relaxed.
* When the note has finished, inhale fully and play the same note again.
* Once you have practised this a few times repeat the exercise starting very soft and increasing in volume to the end of the note. Try to time the increase so that you don't arrive too soon at the loud note.
Diminished scale
"Diminished Scales"
The Tension Scale!
dim-scale-c-set-smallThe diminished scale presents a unique set of circumstances to learn a special type of scale.
Although many students learn about diminished chords the scale is not typically one of the areas that many music students take time to study.
What this really means is that you can invert the scale form and accomplish all twelve note pitch starting points. As we work through the math formula you see how this is accomplished.
The neat thing about this is that you apply the pattern three times and you have learned all the scales. They just start at different points.
Diminished types of scales can be confusing because of the application of diminishing already minor or diminished notes. Thus use of of enharmonic spellings is quite common.
This simply means we use note names that are simpler to recognize and say. An example might be saying the note of 'A' rather than saying 'B double flat'.
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The Diminished Scales Characteristics
Notation: + = augmented or raised a half step; d = dim = diminished;
bb = double flat, x = double sharp (##)
The diminished pattern uses a lot of the minor intervals. Some overall characteristics:
* There are 9 notes that make up a diminished scale instead of eight.
* The diminished scale is built with a direct formula of whole and half steps repeated one after the other.
* The diminished pattern diminishes the 3rd, 5th, 6th, m7 and 8. However, this gets to be to confusing with a bb7 and b8, so enharmonic intervals are used to make it easier.
* Enharmonic spellings are common for both scales and chords that are diminished. The 5th is often labeled both as a diminished 5 and a augmented 5. The bb7 is spelled as a 6th interval. And the d8 is a seventh.
* From the intervals we can create a whole and half step pattern to define the diminished scale.
Other things to be aware of as we work through the scale.
* The primary notes are the minor 3rds (m3rd).
* The secondary notes are in between the m3rds.
* Two full diminished chords with different notes can be created from the scale.
The unison interval is called the tonic indicating the starting note of a scale. Tonic will be used to describe the first note.
This is what the diminished scale looks like when starting on C and working into the second octave to A
Constructing Scales of the Diminished Type
These scales are developed mathematically using whole and half steps. We assign numeric value (an interval) to each note, the scales will use the numbers 1 2 3 4 5 6 7 8. The full diminished scale will use 9 notes.
The diminished scale pattern is a whole - half step repeating pattern. Initially one can look at it as diminishing the 3rd, 5th, 6th, a m7th, and 8th.
This is difficult to remember. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5th and is much easier to work with.
The Intervals
1 - 2 - m3 - 4 - d5 - +5 - 6 - 7 - 8
The Notes
C - D - Eb - F - Gb - G# - A - B - C
Diminished Scale Relationships
Previously we talked about how several diminished scales use the same notes. So four scales have these same notes and are simple inversions of each other.
How do you determine which notes define the new scale? The most direct way is by the whole - half pattern. At each point where the next step is a whole step is the new key or related scale.
Look at the C dim chord that is based on m3rds. This is the place where the whole step will take place and are C - Eb - Gb - A . These are the inversion points for the three other scales that can be built from the same notes.
Here is the math to show scales of Eb dim as part of the C dim.
S + W + H + W + H + W + H + W + H
C Diminished:
C - D - Eb - F - Gb - G# - A - B - C
Eb - F - Gb - G# - A - B - C - D - Eb
EB Diminished + W + H
From here the other variations are used for harmonic and melodic minors. This is the practical knowledge you need to know about minors.
Examining the Diminished Four Scales that are Related
Returning to the treble clef that had our scale notes from middle C to and octave higher A. We can show all four related scales using the same notes.
The Tension Scale!
dim-scale-c-set-smallThe diminished scale presents a unique set of circumstances to learn a special type of scale.
Although many students learn about diminished chords the scale is not typically one of the areas that many music students take time to study.
What this really means is that you can invert the scale form and accomplish all twelve note pitch starting points. As we work through the math formula you see how this is accomplished.
The neat thing about this is that you apply the pattern three times and you have learned all the scales. They just start at different points.
Diminished types of scales can be confusing because of the application of diminishing already minor or diminished notes. Thus use of of enharmonic spellings is quite common.
This simply means we use note names that are simpler to recognize and say. An example might be saying the note of 'A' rather than saying 'B double flat'.
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JOIN THE WORKSHOP
Sign Up to Claim Your Free Report:
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The Diminished Scales Characteristics
Notation: + = augmented or raised a half step; d = dim = diminished;
bb = double flat, x = double sharp (##)
The diminished pattern uses a lot of the minor intervals. Some overall characteristics:
* There are 9 notes that make up a diminished scale instead of eight.
* The diminished scale is built with a direct formula of whole and half steps repeated one after the other.
* The diminished pattern diminishes the 3rd, 5th, 6th, m7 and 8. However, this gets to be to confusing with a bb7 and b8, so enharmonic intervals are used to make it easier.
* Enharmonic spellings are common for both scales and chords that are diminished. The 5th is often labeled both as a diminished 5 and a augmented 5. The bb7 is spelled as a 6th interval. And the d8 is a seventh.
* From the intervals we can create a whole and half step pattern to define the diminished scale.
Other things to be aware of as we work through the scale.
* The primary notes are the minor 3rds (m3rd).
* The secondary notes are in between the m3rds.
* Two full diminished chords with different notes can be created from the scale.
The unison interval is called the tonic indicating the starting note of a scale. Tonic will be used to describe the first note.
This is what the diminished scale looks like when starting on C and working into the second octave to A
Constructing Scales of the Diminished Type
These scales are developed mathematically using whole and half steps. We assign numeric value (an interval) to each note, the scales will use the numbers 1 2 3 4 5 6 7 8. The full diminished scale will use 9 notes.
The diminished scale pattern is a whole - half step repeating pattern. Initially one can look at it as diminishing the 3rd, 5th, 6th, a m7th, and 8th.
This is difficult to remember. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5th and is much easier to work with.
The Intervals
1 - 2 - m3 - 4 - d5 - +5 - 6 - 7 - 8
The Notes
C - D - Eb - F - Gb - G# - A - B - C
Diminished Scale Relationships
Previously we talked about how several diminished scales use the same notes. So four scales have these same notes and are simple inversions of each other.
How do you determine which notes define the new scale? The most direct way is by the whole - half pattern. At each point where the next step is a whole step is the new key or related scale.
Look at the C dim chord that is based on m3rds. This is the place where the whole step will take place and are C - Eb - Gb - A . These are the inversion points for the three other scales that can be built from the same notes.
Here is the math to show scales of Eb dim as part of the C dim.
S + W + H + W + H + W + H + W + H
C Diminished:
C - D - Eb - F - Gb - G# - A - B - C
Eb - F - Gb - G# - A - B - C - D - Eb
EB Diminished + W + H
From here the other variations are used for harmonic and melodic minors. This is the practical knowledge you need to know about minors.
Examining the Diminished Four Scales that are Related
Returning to the treble clef that had our scale notes from middle C to and octave higher A. We can show all four related scales using the same notes.
90 scale dan arpeggio in A
1 Mayor A B C# D E F# G#
2 May Pentatonic A B C# E F#
3 Blues May A C D D# E F#
4 Minor A B C D E F G
5 Melodic Minor A B C D E F# G#
6 Harmonic Minor A B C D E F G#
7 Min Pentatonic A C D E G
8 Blues Min A C D D# E G
9 Augmented A C C# E F# G#
10 Bebop A B C# D E F# G G#
11 Cromatic A A# B B# C C# etc etc
12 Whole half A B C D D# F F# G#
13 Half Whole A A# C C# D# E F# G
14 Whole Tone A B C# D# F G
15 Augmented Fifth A B C# D E F F# G#
16 Algerian A B C D# E F G#
17 Arabian A B C# D D# F G
18 Balinese A A# C E F
19 Bartok A B C# D# E F# G
20 Byzanter A A# C# D E F G#
21 Chinese A B C# E F#
22 Egyptian A B D E G
23 Enigmantic A A# C# D# F G G#
24 Spanish A A# C# D E F G
25 Spanish 8 Tone A A# C C# D D# F G
26 Ethiophian A B C D E F G
27 Gipsy A A# C# D E F# G
28 Hungarian A B C D# E F G
29 Hindu A B C# D E F G
30 Iwato A A# D D# G
31 Japanese A A# D E F
32 Japanese A A# C D E F# G
33 Jewish A A# C# D E F G
34 Hawaian A B C D E F# G#
35 Hirajoshi A B C E F
36 Hungarian Min A B C D# E F G#
37 Hungarian May A C C# D# E F# G
38 Kumoi A A# D E F
39 Leading WT A B C# D# F G G#
40 Muhammad A B C D E F G#
41 Mongolia A B C# E F#
42 Neapolitan A A# C D E F
43 Neapolitan May A A# C D E F# G#
44 Oriental A A# C# D D# F# G
45 Over Tone A B C# D# E F# G
46 Pelog A A# C E G
47 Persian A A# C# D D# F G#
48 Ionian A B C# D E F# G#
49 Dorian A B C D E F# G
50 Phyrigian A A# C D E F G
51 Lydian A B C# D# E F# G#
52 Mixolydian A B C# D E F# G
53 Aeolian A B C D E F G
54 Locrian A A# C D D# F G
55 Ionian Harmonic A B C D E F G#
56 Locrian Nat 6 A A# C D D# F# G
57 May Sharp 5 A B C# D F F# G#
58 Dorian Sharp 4 A B C D# E F# G
59 Phyrigian May A A# C# D E F G
60 Lydian Sharp 2 A C C# D# E F# G#
61 Super Locryan Double Flat 7 A A# C C# D# F F#
62 Jazz Minor A B C D E F# G#
63 Dorian B2 Minor A A# C D E F# G#
64 Lydian Agmented Minor A B C# D# F F# G#
65 Lydian Flat 7 Minor A B C# D# E F# G
66 Mixolydian Flat 6 Minor A B C# D E F G
67 Locrian Sharp 2 Minor A B C D D# F G
68 Super Locrian Minor A A# C C# D# F G
69 Pentatonic Major A B C# E F F#
70 Pentatonic Mode 2 A B D E G
71 Pentatonic Mode 3 A C D F G
72 Pentatonic Mode 4 A B D E F#
73 Pentatonic Dominan A B C# E G
74 Pentatonic Minor A C D E G
75 Alfered Pentatonic A A# C# E F#
76 Blues A C D D# E F#
77 May Arpegio A C# E
78 Min Arpegio A C E
79 Maj 7 Arpegio May A C# E G#
80 Maj 7 Arpegio Min A C# E G
81 Min 7 Arpegio May A C E G#
82 Min 7 Arpegio Min A C E G
83 May 9 Arpegio A B C# E G
84 Min 9 Arpegio A B C E G
85 May 11 Arpegio A B C# D E G
86 Min 11 Arpegio A B C D E G
87 May 13 Arpegio A B C# D E F# G
88 Min 13 Arpegio A B C D E F# G
89 Augmented Arpegio A C# F
90 Diminished Arpegio A C D# F#
Note : untuk chord lainnya tinggal sesuaikan
2 May Pentatonic A B C# E F#
3 Blues May A C D D# E F#
4 Minor A B C D E F G
5 Melodic Minor A B C D E F# G#
6 Harmonic Minor A B C D E F G#
7 Min Pentatonic A C D E G
8 Blues Min A C D D# E G
9 Augmented A C C# E F# G#
10 Bebop A B C# D E F# G G#
11 Cromatic A A# B B# C C# etc etc
12 Whole half A B C D D# F F# G#
13 Half Whole A A# C C# D# E F# G
14 Whole Tone A B C# D# F G
15 Augmented Fifth A B C# D E F F# G#
16 Algerian A B C D# E F G#
17 Arabian A B C# D D# F G
18 Balinese A A# C E F
19 Bartok A B C# D# E F# G
20 Byzanter A A# C# D E F G#
21 Chinese A B C# E F#
22 Egyptian A B D E G
23 Enigmantic A A# C# D# F G G#
24 Spanish A A# C# D E F G
25 Spanish 8 Tone A A# C C# D D# F G
26 Ethiophian A B C D E F G
27 Gipsy A A# C# D E F# G
28 Hungarian A B C D# E F G
29 Hindu A B C# D E F G
30 Iwato A A# D D# G
31 Japanese A A# D E F
32 Japanese A A# C D E F# G
33 Jewish A A# C# D E F G
34 Hawaian A B C D E F# G#
35 Hirajoshi A B C E F
36 Hungarian Min A B C D# E F G#
37 Hungarian May A C C# D# E F# G
38 Kumoi A A# D E F
39 Leading WT A B C# D# F G G#
40 Muhammad A B C D E F G#
41 Mongolia A B C# E F#
42 Neapolitan A A# C D E F
43 Neapolitan May A A# C D E F# G#
44 Oriental A A# C# D D# F# G
45 Over Tone A B C# D# E F# G
46 Pelog A A# C E G
47 Persian A A# C# D D# F G#
48 Ionian A B C# D E F# G#
49 Dorian A B C D E F# G
50 Phyrigian A A# C D E F G
51 Lydian A B C# D# E F# G#
52 Mixolydian A B C# D E F# G
53 Aeolian A B C D E F G
54 Locrian A A# C D D# F G
55 Ionian Harmonic A B C D E F G#
56 Locrian Nat 6 A A# C D D# F# G
57 May Sharp 5 A B C# D F F# G#
58 Dorian Sharp 4 A B C D# E F# G
59 Phyrigian May A A# C# D E F G
60 Lydian Sharp 2 A C C# D# E F# G#
61 Super Locryan Double Flat 7 A A# C C# D# F F#
62 Jazz Minor A B C D E F# G#
63 Dorian B2 Minor A A# C D E F# G#
64 Lydian Agmented Minor A B C# D# F F# G#
65 Lydian Flat 7 Minor A B C# D# E F# G
66 Mixolydian Flat 6 Minor A B C# D E F G
67 Locrian Sharp 2 Minor A B C D D# F G
68 Super Locrian Minor A A# C C# D# F G
69 Pentatonic Major A B C# E F F#
70 Pentatonic Mode 2 A B D E G
71 Pentatonic Mode 3 A C D F G
72 Pentatonic Mode 4 A B D E F#
73 Pentatonic Dominan A B C# E G
74 Pentatonic Minor A C D E G
75 Alfered Pentatonic A A# C# E F#
76 Blues A C D D# E F#
77 May Arpegio A C# E
78 Min Arpegio A C E
79 Maj 7 Arpegio May A C# E G#
80 Maj 7 Arpegio Min A C# E G
81 Min 7 Arpegio May A C E G#
82 Min 7 Arpegio Min A C E G
83 May 9 Arpegio A B C# E G
84 Min 9 Arpegio A B C E G
85 May 11 Arpegio A B C# D E G
86 Min 11 Arpegio A B C D E G
87 May 13 Arpegio A B C# D E F# G
88 Min 13 Arpegio A B C D E F# G
89 Augmented Arpegio A C# F
90 Diminished Arpegio A C D# F#
Note : untuk chord lainnya tinggal sesuaikan
Blues lesson
Blues Scale Lesson
In this blues guitar scale lesson we’ll take a look at a really common guitar scale used for blues improvisation. This scale is great to learn if you want to play blues guitar in an authentic sounding way. In fact, it would be really hard to solo in a blues guitar style without knowing it! Let’s take a look at this guitar scale now…
**Blues Guitar Scale #1: The Minor Pentatonic Scale**
If blues guitar is your passion, then learning the minor pentatonic scale is essential. If you analyse the playing of your favorite blues guitarists you will see them using it in almost EVERY solo. So, with that in mind, let's take a closer look at this scale...
The minor pentatonic scale is a five note scale that has the following formula:
1 b3 4 5 b7
This formula tells us what we need to change in the major scale in order to create this scale. Let’s work out the notes of A minor pentatonic scale to make things clearer…
Step 1:
Write down the notes of the A major scale. This gives us the following notes…
A B C# D E F# G#
Step 2:
Remove the second and sixth notes from the A major scale. This is because the formula of the minor pentatonic scale doesn’t contain a 2 or a 6. So this would give us…
A C# D E G#
Step 3:
Lower the third and seventh notes of the A major scale by one semitone (1 fret). This is because the formula of the minor pentatonic scale has a b3 and a b7. Once these notes are flattened, it gives us this…
A C D E G
These are the five notes contained in the A minor pentatonic scale.
Obviously, this theory is a waste of time unless you APPLY it. You must learn to use it in real-life playing situations.
To finish off this blues guitar scale lesson, here are a few ideas that would help you learn this scale in a practical way...
-Learning to sing it.
-Learning licks and solos that use it.
-Transcribing the guitar solos of your favorite blues guitar players.
-Practicing soloing using it over backing tracks.
-Memorizing the notes of the scale over the ENTIRE fretboard.
In this blues guitar scale lesson we’ll take a look at a really common guitar scale used for blues improvisation. This scale is great to learn if you want to play blues guitar in an authentic sounding way. In fact, it would be really hard to solo in a blues guitar style without knowing it! Let’s take a look at this guitar scale now…
**Blues Guitar Scale #1: The Minor Pentatonic Scale**
If blues guitar is your passion, then learning the minor pentatonic scale is essential. If you analyse the playing of your favorite blues guitarists you will see them using it in almost EVERY solo. So, with that in mind, let's take a closer look at this scale...
The minor pentatonic scale is a five note scale that has the following formula:
1 b3 4 5 b7
This formula tells us what we need to change in the major scale in order to create this scale. Let’s work out the notes of A minor pentatonic scale to make things clearer…
Step 1:
Write down the notes of the A major scale. This gives us the following notes…
A B C# D E F# G#
Step 2:
Remove the second and sixth notes from the A major scale. This is because the formula of the minor pentatonic scale doesn’t contain a 2 or a 6. So this would give us…
A C# D E G#
Step 3:
Lower the third and seventh notes of the A major scale by one semitone (1 fret). This is because the formula of the minor pentatonic scale has a b3 and a b7. Once these notes are flattened, it gives us this…
A C D E G
These are the five notes contained in the A minor pentatonic scale.
Obviously, this theory is a waste of time unless you APPLY it. You must learn to use it in real-life playing situations.
To finish off this blues guitar scale lesson, here are a few ideas that would help you learn this scale in a practical way...
-Learning to sing it.
-Learning licks and solos that use it.
-Transcribing the guitar solos of your favorite blues guitar players.
-Practicing soloing using it over backing tracks.
-Memorizing the notes of the scale over the ENTIRE fretboard.
blues
Udah sering saya dapat pertanyaan mengenai scale untuk musik Blues. Jadi, mumpung lagi ingat, saya coba jelaskan sedikit aja :-)
Scale blues hampir mirip-mirip dengan scale Rock n Roll. Scale ini sangat baik untuk di kuasai, karena bisa di pakai untuk improvisasi di banyak jenis musik lainnya.
Untuk Contoh, saya menggunakan nada dasar (tonic) C = do
Untuk nada dasar C = do adalah :
C – Eb – F – F# – G – Bb – C
Rumus Jarak (interval)nya adalah :
C – (1½ Nada) – Eb – (1 Nada) – F – (½ Nada) – F# – (½ Nada) – G – (1½ Nada) – Bb – (1 Nada) – C
Atau di ingat aja, dari Tonic, rumusnya adalah
1 ½ - 1 – ½ – ½ – 1 ½ – 1
Udah tau arti angka 1 dan 1/2 tersebut? Kalau belum, silahkan baca ulang artikel Teori 1|Tangga Nada
Chord Blues :
Ciri khas chord untuk Blues adalah chord 7, 6 dan 13.
Jadi untuk C = do, chord yang bisa di pakai adalah :
C7 – F7 – G7
C6 – F6 – G6 (untuk variasi chord)
C13 (untuk Ending)
Bagaimana menggunakan scale tersebut dalam sebuah lagu ?
He..he..he… ga usah bingung, selama chordnya masih pasangannya si C yaitu chord F dan G, mainkan aja scale blues tersebut sesuka hati.
Untuk Anda yang baru belajar, ingat aja scale tersebut, jangan dulu menyentuh tuts yang lain (yang tidak saya beri tanda titik merah).
Untuk latihan :
Cari style Blues pada gitar anda. Gunakan sound clean guitar untuk melodi.
Mainkan chord :
| C | C7 | F | F | C | C | G | F7 | C | G (fill in) |
Satu tanda kurung | ….. | adalah 1 bar 4/4 (4ketuk)
Scale blues hampir mirip-mirip dengan scale Rock n Roll. Scale ini sangat baik untuk di kuasai, karena bisa di pakai untuk improvisasi di banyak jenis musik lainnya.
Untuk Contoh, saya menggunakan nada dasar (tonic) C = do
Untuk nada dasar C = do adalah :
C – Eb – F – F# – G – Bb – C
Rumus Jarak (interval)nya adalah :
C – (1½ Nada) – Eb – (1 Nada) – F – (½ Nada) – F# – (½ Nada) – G – (1½ Nada) – Bb – (1 Nada) – C
Atau di ingat aja, dari Tonic, rumusnya adalah
1 ½ - 1 – ½ – ½ – 1 ½ – 1
Udah tau arti angka 1 dan 1/2 tersebut? Kalau belum, silahkan baca ulang artikel Teori 1|Tangga Nada
Chord Blues :
Ciri khas chord untuk Blues adalah chord 7, 6 dan 13.
Jadi untuk C = do, chord yang bisa di pakai adalah :
C7 – F7 – G7
C6 – F6 – G6 (untuk variasi chord)
C13 (untuk Ending)
Bagaimana menggunakan scale tersebut dalam sebuah lagu ?
He..he..he… ga usah bingung, selama chordnya masih pasangannya si C yaitu chord F dan G, mainkan aja scale blues tersebut sesuka hati.
Untuk Anda yang baru belajar, ingat aja scale tersebut, jangan dulu menyentuh tuts yang lain (yang tidak saya beri tanda titik merah).
Untuk latihan :
Cari style Blues pada gitar anda. Gunakan sound clean guitar untuk melodi.
Mainkan chord :
| C | C7 | F | F | C | C | G | F7 | C | G (fill in) |
Satu tanda kurung | ….. | adalah 1 bar 4/4 (4ketuk)
blues scale in E
Blues Scale E
Blues scale adalah pola nada blues yang harus dipahami oleh blueser. Sebelum melanjutkan silahkan dengarkan contoh sederhana 'blues in E' terinspirasi dari lagu SusieQ - CCR yang legendaris.
Blues scale di E
blues scale
posisi pada E los string
blues scale E Ilustrasi di samping adalah lanjutan posisi blues scale E yaitu mulai pada fret board ke III atau posisi pada chord G.
Perhatikanlah posisi masing-masing blues scale di setiap posisi fret board. Posisi ini disajikan sampai kepada kembali ke posisi E di fret 12.
NOTE:
Investasikan waktu anda pada scale ini karena semakin banyak anda latihan maka kemampuan memainkan nada blues semakin akurat. Meleset dari pola nada blues maka anda bukanlah seorang blueser. Dalam praktek mahir blues scale ini dipadukan dengan scale lain seperti dari kelompok modes misalnya mixolydian dan lain-lainnya.
Pada saat latihan dengarkan dengan baik bunyi nada-nada yang dilatih sehingga earring anda benar-benar blues dan ini sangat membantu waktu mendengarkan lagu blues untuk keperluan mencari lick-lick dari artis terkenal.
Dengarkan hanya lagu-lagu blues kalau memang sedang belajar blues karena lebih memudahkan scale blues terpatri di otak. Dan nantinya setiap nada yang anda mainkan selalu bernuansa blues. Trust Me
Blues scale adalah pola nada blues yang harus dipahami oleh blueser. Sebelum melanjutkan silahkan dengarkan contoh sederhana 'blues in E' terinspirasi dari lagu SusieQ - CCR yang legendaris.
Blues scale di E
blues scale
posisi pada E los string
blues scale E Ilustrasi di samping adalah lanjutan posisi blues scale E yaitu mulai pada fret board ke III atau posisi pada chord G.
Perhatikanlah posisi masing-masing blues scale di setiap posisi fret board. Posisi ini disajikan sampai kepada kembali ke posisi E di fret 12.
NOTE:
Investasikan waktu anda pada scale ini karena semakin banyak anda latihan maka kemampuan memainkan nada blues semakin akurat. Meleset dari pola nada blues maka anda bukanlah seorang blueser. Dalam praktek mahir blues scale ini dipadukan dengan scale lain seperti dari kelompok modes misalnya mixolydian dan lain-lainnya.
Pada saat latihan dengarkan dengan baik bunyi nada-nada yang dilatih sehingga earring anda benar-benar blues dan ini sangat membantu waktu mendengarkan lagu blues untuk keperluan mencari lick-lick dari artis terkenal.
Dengarkan hanya lagu-lagu blues kalau memang sedang belajar blues karena lebih memudahkan scale blues terpatri di otak. Dan nantinya setiap nada yang anda mainkan selalu bernuansa blues. Trust Me
Jazz basic lick/scale
jazz scales are not really different from scales in other music, it's only the way that they are used that makes the difference in sound and feel. The modes as we know and use today were formalized around 1675 and as far as I know there were not so many jazzers around back then.
You probably have all played modes before, but maybe without realizing you were playing them. Can you play a major scale? Then you know the first mode, the Ionian.
Let's have a look at the other 6.
Take for example the C major scale. The major scale contains no sharps or flats and is the first of the modes : the Ionian mode.
Another scale most beginning guitarist will know is the natural minor scale. This one is in fact the 6th mode, the Aeolian mode.
On this page we'll be exploring the modes of C major.
Let's have a look at the C major scale :
C Major Scale C D E F G A B
1 2 3 4 5 6 7
The major scale is also the first mode : the Ionian mode. The guitar scale formula for the Ionian mode is :1 2 3 4 5 6 7
Now if we start de C major the second note we get the next mode, the Dorian mode :
D Dorian Mode D E F G A B C
1 2 b3 4 5 6 b7
The guitar scale formula for the Dorian mode is :1 2 b3 4 5 6 b7
the 3rd and 7th note are a half step behind compared to the Ionian scale.
Each mode has its own unique sound. This sound depends on how the intervals are mapped across the scale.
Let's compare the Ionian and the Dorian mode note per note :
Between notes Interval for Ionian in half steps Interval for Dorian in half steps
1 - 2 C-D 2 D-E 2
2 - 3 D-E 2 E-F 1
3 - 4 E-F 1 F-G 2
4 - 5 F-G 2 G-A 2
5 - 6 G-A 2 A-B 2
6 - 7 A-B 2 B-C 1
7 - 8 B-C 1 C-D 2
Interval structure for (in half steps) :
-Ionian : 2 2 1 2 2 2 1
-Dorian : 2 1 2 2 2 1 2
So we can conclude that the notes in both scales are the same (without accidentals) and that it's the placement of the half steps that determine the kind of mode.
Now if we build a chord on the first note of the Ionian scale we get a Cmaj7 (if you don't know how to build chords then have a look at the jazz guitar chord theory tutorial) :
C E G B
1 3 5 7
If we build a chord on the first note of the Dorian scale we get a Dmin7 :
D F A C
1 b3 5 b7
Here are the 7 modes for C major, their guitar scale formulas and corresponding chord :
I Ionian 1 2 3 4 5 6 7 C D E F G A B Cmaj7
II Dorian 1 2 b3 4 5 6 b7 D E F G A B C Dm7
III Phrygian 1 b2 b3 4 5 b6 b7 E F G A B C D Em7
IV Lydian 1 2 3 #4 5 6 7 F G A B C D E Fmaj7
V Myxolydian 1 2 3 4 5 6 b7 G A B C D E F G7
VI Aeolian 1 2 b3 4 5 b6 b7 A B C D E F G Am7
VII Locrian 1 b2 b3 4 b5 b6 b7 B C D E F G A Bm7b5
You probably have all played modes before, but maybe without realizing you were playing them. Can you play a major scale? Then you know the first mode, the Ionian.
Let's have a look at the other 6.
Take for example the C major scale. The major scale contains no sharps or flats and is the first of the modes : the Ionian mode.
Another scale most beginning guitarist will know is the natural minor scale. This one is in fact the 6th mode, the Aeolian mode.
On this page we'll be exploring the modes of C major.
Let's have a look at the C major scale :
C Major Scale C D E F G A B
1 2 3 4 5 6 7
The major scale is also the first mode : the Ionian mode. The guitar scale formula for the Ionian mode is :1 2 3 4 5 6 7
Now if we start de C major the second note we get the next mode, the Dorian mode :
D Dorian Mode D E F G A B C
1 2 b3 4 5 6 b7
The guitar scale formula for the Dorian mode is :1 2 b3 4 5 6 b7
the 3rd and 7th note are a half step behind compared to the Ionian scale.
Each mode has its own unique sound. This sound depends on how the intervals are mapped across the scale.
Let's compare the Ionian and the Dorian mode note per note :
Between notes Interval for Ionian in half steps Interval for Dorian in half steps
1 - 2 C-D 2 D-E 2
2 - 3 D-E 2 E-F 1
3 - 4 E-F 1 F-G 2
4 - 5 F-G 2 G-A 2
5 - 6 G-A 2 A-B 2
6 - 7 A-B 2 B-C 1
7 - 8 B-C 1 C-D 2
Interval structure for (in half steps) :
-Ionian : 2 2 1 2 2 2 1
-Dorian : 2 1 2 2 2 1 2
So we can conclude that the notes in both scales are the same (without accidentals) and that it's the placement of the half steps that determine the kind of mode.
Now if we build a chord on the first note of the Ionian scale we get a Cmaj7 (if you don't know how to build chords then have a look at the jazz guitar chord theory tutorial) :
C E G B
1 3 5 7
If we build a chord on the first note of the Dorian scale we get a Dmin7 :
D F A C
1 b3 5 b7
Here are the 7 modes for C major, their guitar scale formulas and corresponding chord :
I Ionian 1 2 3 4 5 6 7 C D E F G A B Cmaj7
II Dorian 1 2 b3 4 5 6 b7 D E F G A B C Dm7
III Phrygian 1 b2 b3 4 5 b6 b7 E F G A B C D Em7
IV Lydian 1 2 3 #4 5 6 7 F G A B C D E Fmaj7
V Myxolydian 1 2 3 4 5 6 b7 G A B C D E F G7
VI Aeolian 1 2 b3 4 5 b6 b7 A B C D E F G Am7
VII Locrian 1 b2 b3 4 b5 b6 b7 B C D E F G A Bm7b5
Selasa, 21 Juli 2009
Hai Para Hornline
Hmmm… Buat Para Pemain Horn Line NIh….
Hmmmm…. Bagi Pemain HORN LINE pada marching band biasanya terdapat beberapa kendala pada saat akan meniup bukan…. Salah satunya prmasalahan pada nafas, kehilangan kestabilan meniup nada, bahu terasa berat… nah untuk ini saya akan sedikit memberikan tips bagi para peniup…
Sebelum kita memulai meniup ada baiknya kita melakukan sedikit latihan pemanasan, dan saya akan sedikit menjelaskan pemanasan dan kegunaanya terhadap meniup dengan pemanasan yang akan saya gunakan…….
- Pemanasan fisik.
Pemanasan fisik sangat bagus dilakukan terutama dalam membantu pernapasan.. beriku adalah pemanasan fisik yang sering saya gunkan dalam pemanasan fisik:
- Streching
- Breathing
- Breathing sit up
- Push up
- Horn Up Potition
· Saya akan membahas dari tahap Streching terlebih dahulu. Streching sebaiknya digunakan sebelum kita mmainkan alat section… Streching ini bergun untuk melemaskan atau meregangkan saraf otot yang kaku sehingga tubuh jadi lbih merasa ringan dan relax saat akan memainkan alat. Streching yang berguna bagi pemain alt tiup seperti neck stretching, hand starching, stomach n leg stretching, serta yang paling penting itu fingering strech… untuk stretching baiknya dilakukan dalam 15mnit saja, jangan terlalu lama..
· Yang kedua pemanasan yang harus dilakukan adalah breathing. Breathing adalah latihan pernapasan yang menggunakan pernapasan diagfragma. Latihan ini sangat penting, karena untuk melatih pernapasan diagfragma pemain dan untuk membiasakan pemain agar mengunakan pernapasan diagfragma dalam meniup. Latihan breathing juga berfungsi melatih pemin agar dapat melakukan tiupan nada yang panjang dan melatihpermainan slur mereka, breathing biswa dilakukan dengan menggunakan tempo dan hitungan skala. Breathing ini sebaiknya dilatih secara rutin dan tiap hari aar pengguna alat tiup dapat melatih pernapasan secara sempurna, ini dilakukan seara berkala, dlakukan dengan cara menarik udara melalui mulut dan menghembuskannya kembali. Pada saat menarik udara melalui mulut maka keadaan perut kita akan mengembung, dan pada saat menghembskannya perut akan mengecil. Diagfragma harus dilakukan secara betul. Jika pemain malakukan breathing tetapi keadaan bahu nya masih naik-turun, maka ia masih menggunakan pernapasan paru2. dan itu harus di benarkan. Uahakan agar bahu tidak bergerak.
· Setelah melakukan breathing maka kita akan malatih kekuatan otot perut dan diafragma kita, pemanasan kali ini harus dilakukan secara , benar.. sit up dapat berfungsi melatih kekuatan otot perut dan ini dapat membantu dalam meniup, sedangkan breathinh berfungsi melatih tiupan dan sirkulasi udara pada diaragma. Nah, dengan ini kita akan menggabungkan kedua fungsi pemanasan ini agar dapt membentuk otot perut dan membuat pernapasan diafragma kita sempurna. Breathing situp dilakukan seperti sit up biasa, tetapi sedikit dilakukan breathing pada saat melakukannya. Disini cara melakukan breathing sit up adalah pada saat tubuh turun maka kita mengambil napas diafragma, dan pada saat mengangkat tubuh perut dikencangkan dan membuang napas melalui mulut. Latihan ini sangat berguna sekali, tetapi ini harus dilakukan secara benar. Karena jika tidak akan menyebaban cedera pada pemain.
· Latihan berikutnya adalah push up, push dilakukan untuk melatih kekuatan otot lengan, dan ini baik dilakukan untuk melatih kekuatan otot lengan untuk mengangkat alatkita.
· Setelah melakukan pemanasan diatas barulah kita pemanasa degan menggunakan alat kita, tapi sebelum meniup.
- Latihan Meniup.
Latihan Meniup dapat dilakukan setelah pemanasan diatas dilakukan. Pada saat meniup jangan pernah maakukan skala do terlebih dahulu. Ini dikarenakan pososo bibi yang belum stabil. Sehingga nada yang dikelarkan tdak bersamaan. Ulangi nada do smpai pemain dapat meniup dengan tegas setelh itu baru lakukan skala do dengan melanjut
Untuk melatih nada tinggi, banyak orang orang mengira harus menekan posisi mouthpiece ke bibir lebih kuat. Dan itu salah sebaiknya dilakukan dengan melatih furlips. Furlips low dan furlips high. Untuk mendapatkn nada tinggi gunakanlah furlips high, ini dilakukan dengan memperkecil dan merapatkan bibir dan menjaga kestabilan udara pada mulut. Dan tembakan diafragma secara langsung.
Oke hanya sekian dulu ya tips dari saya, sampai ketemu nati di tips berikutnya.. apalagi untuk anak mb pusri. Met berjuang….
By: Aditya Frananda
Sabtu, 11 Juli 2009
hiahahahahaha
hmmmmmmmmm.....
mau nulis apa ya???
bingung nih...
ah hari ini tadi latian marchingband nih...
trus pulangnya ktempatk'tedy yang lagi hajatan....
hahhahahaaha....
di marching paling nambah pemain aja...
dari mantan pemain ptba..
beuh beuh....
apa lagi ya?
itu aja deh...
hiajajajahahahaha
mau nulis apa ya???
bingung nih...
ah hari ini tadi latian marchingband nih...
trus pulangnya ktempatk'tedy yang lagi hajatan....
hahhahahaaha....
di marching paling nambah pemain aja...
dari mantan pemain ptba..
beuh beuh....
apa lagi ya?
itu aja deh...
hiajajajahahahaha
Rabu, 24 Juni 2009
capeeeeeeeeekkkkkkkkk.......
Beuh..... kmaren itu capeeeeeeeekkkk bgt.....
tgl 23 kmaren kitapada nampil pada penutupan FESTIVAL SRIWIJAYA gitu de....
hmmm... capek meeenn, habis gw pagi nya jam 8 harus ke mb dulu ngambil baju tampil untu anak2 marching band gitu...
beugh, trus jam 10.00 udah ke JAKABARING NIH...
latihan untuk penutupan copa liga djarum nih, hahahahaha....
eh siangnya udah langsung jalan kaki ke gedung sebelah, hahahaha..
persiapan gladi bersih untuk nampil nih...
beuh capek lah.....
tapi untung kita nampilnya bagus gitu deeeeee.....
huahhahahahaha....
tapi ada berita gak enak nih,
salah satu personil SDL COMMUNITY si Ryan Mau ngundurin diri dari marching, yah dgn alaan yang masuk akal lah, hanya kita2 aja yang tau...
jadi kita adain sedikit kenang2an deh ma dia.....
photo2 gitu...
brhubung photonya blm di pindahin jdi ntr aja deh dimasukinnya...
eh trus tgl 24 bsoknya itu jam 0 kita latihan lagi untuk copa, tgl 28 seh nampilnya...
jadinya di forsir deh....
cPEK, gak ada istirahatnya niih...
udah dulu ah ngeblock nya...
udah mlm...
bobo yaaaaaaaa...... duuuuuuuu.....
tgl 23 kmaren kitapada nampil pada penutupan FESTIVAL SRIWIJAYA gitu de....
hmmm... capek meeenn, habis gw pagi nya jam 8 harus ke mb dulu ngambil baju tampil untu anak2 marching band gitu...
beugh, trus jam 10.00 udah ke JAKABARING NIH...
latihan untuk penutupan copa liga djarum nih, hahahahaha....
eh siangnya udah langsung jalan kaki ke gedung sebelah, hahahaha..
persiapan gladi bersih untuk nampil nih...
beuh capek lah.....
tapi untung kita nampilnya bagus gitu deeeeee.....
huahhahahahaha....
tapi ada berita gak enak nih,
salah satu personil SDL COMMUNITY si Ryan Mau ngundurin diri dari marching, yah dgn alaan yang masuk akal lah, hanya kita2 aja yang tau...
jadi kita adain sedikit kenang2an deh ma dia.....
photo2 gitu...
brhubung photonya blm di pindahin jdi ntr aja deh dimasukinnya...
eh trus tgl 24 bsoknya itu jam 0 kita latihan lagi untuk copa, tgl 28 seh nampilnya...
jadinya di forsir deh....
cPEK, gak ada istirahatnya niih...
udah dulu ah ngeblock nya...
udah mlm...
bobo yaaaaaaaa...... duuuuuuuu.....
Senin, 22 Juni 2009
hahahahahaha....
ehm ehm eh......
haahahaha...
bingung mau nulis apa ya??
ya gituuuuuuuuuu deeee...
cuma agi sibuk aja nampil sana sini... mb apa lagi...
begitulah...
duuuuuu
haahahaha...
bingung mau nulis apa ya??
ya gituuuuuuuuuu deeee...
cuma agi sibuk aja nampil sana sini... mb apa lagi...
begitulah...
duuuuuu
Sabtu, 13 Juni 2009
waaaaaaaahhhh akhirnya
beuh,
sial sial sial... mau ngposting lupa password nih.....
hahahaha... akhirnya malah diem nih ...
btw sebenernya banyak cerita sih, berhubung udah kelewatan ntar gak sru kali ya...
uhhhhh... akhirnya inget juga pasword nih blog....
ehm ehm...
mau cerita apa yaaa????
hari ini melelahkan sekali.... tadi pagi gw kerumah okta sobat gw, trus temenin dia ke warnet, beuh udah gitu lama lagi uload photo nya......
gaptek bner tuh anak
*hallooooooo... kaya lu gak gaptek aja*
hahahahahahaha....,
tiba2 kringkring.... eh salah bunyi suara donald ding, hp gw berbunyi... wah si miiko chan sms... dia udah di mabes mb boooo, wah nih anak kurang cepet datngnya,,,,
"k'hiro... miiko dah di mabes nih" hahaha, gw bales aja, ya udah tunggu aja kk lagi di warnet depan pusri.... jah jah....
gitu udah keluar warnet.. h si okta minta temenin ke pasar lemabang... mau tukerrr perak...
anjriiittt, knapa gw janji mau tmenin dia yah...
ya udah d tmenin aja, dia janjinya sebentar....
beuh sampe sana ternyata tuh lama banget milih2nya... ampe kesel + dongkol mampus....
jiakakakaka... gila gw kan udah janji ma si aulia mau nagih tema nih...
gara2 tuh orang gw telat...
hahahahaha...
a udah siii gpp, anggap aja tuh musibah...
euh habis itu ketemu deh ma miiko, eh blom jadi nih tema nya...
ya udah de kalo gitu, hahahahaha.... nih hari ada yang lupa tapi apa ya???
ampe sekarang gak inget....
hahahaha...
btw jam 2 siang kita latihan deee...
sempet jadi instruktur juga seh, hahahahaha.....
habis itu kita latian man, display lagiii....
anjriiitttt.... panas bgt euy, udah gara2 lathan kulit gw item, eh sekarang malah tambah dah...
hiks hiks huks...
ya udah si gpp,
nambah display dikit siiii...
hihihihihi.....
pulang latihan mb ku ma naruto uzumangkok ke simpang dogan nih makan dogan sekalian sessi curhat, hahahahahahaha......
btw si naruto ini salah satu genk ku di SDL COMMUNITY....
jiakakakaka... ntar di jelasin lah...
hhehehehehe...
bis itu pulang deh...
wuih di rumah ada donay j'co n pempek menunggu....
asik asik asik.... hajarrrrrrrrr....
hahahaha... trus apa lagi ya??????
ah blom tau ntar deh klo lagi ada ide buat osting lagi...
huhuhu...
dudu bubyee.......
sial sial sial... mau ngposting lupa password nih.....
hahahaha... akhirnya malah diem nih ...
btw sebenernya banyak cerita sih, berhubung udah kelewatan ntar gak sru kali ya...
uhhhhh... akhirnya inget juga pasword nih blog....
ehm ehm...
mau cerita apa yaaa????
hari ini melelahkan sekali.... tadi pagi gw kerumah okta sobat gw, trus temenin dia ke warnet, beuh udah gitu lama lagi uload photo nya......
gaptek bner tuh anak
*hallooooooo... kaya lu gak gaptek aja*
hahahahahahaha....,
tiba2 kringkring.... eh salah bunyi suara donald ding, hp gw berbunyi... wah si miiko chan sms... dia udah di mabes mb boooo, wah nih anak kurang cepet datngnya,,,,
"k'hiro... miiko dah di mabes nih" hahaha, gw bales aja, ya udah tunggu aja kk lagi di warnet depan pusri.... jah jah....
gitu udah keluar warnet.. h si okta minta temenin ke pasar lemabang... mau tukerrr perak...
anjriiittt, knapa gw janji mau tmenin dia yah...
ya udah d tmenin aja, dia janjinya sebentar....
beuh sampe sana ternyata tuh lama banget milih2nya... ampe kesel + dongkol mampus....
jiakakakaka... gila gw kan udah janji ma si aulia mau nagih tema nih...
gara2 tuh orang gw telat...
hahahahaha...
a udah siii gpp, anggap aja tuh musibah...
euh habis itu ketemu deh ma miiko, eh blom jadi nih tema nya...
ya udah de kalo gitu, hahahahaha.... nih hari ada yang lupa tapi apa ya???
ampe sekarang gak inget....
hahahaha...
btw jam 2 siang kita latihan deee...
sempet jadi instruktur juga seh, hahahahaha.....
habis itu kita latian man, display lagiii....
anjriiitttt.... panas bgt euy, udah gara2 lathan kulit gw item, eh sekarang malah tambah dah...
hiks hiks huks...
ya udah si gpp,
nambah display dikit siiii...
hihihihihi.....
pulang latihan mb ku ma naruto uzumangkok ke simpang dogan nih makan dogan sekalian sessi curhat, hahahahahahaha......
btw si naruto ini salah satu genk ku di SDL COMMUNITY....
jiakakakaka... ntar di jelasin lah...
hhehehehehe...
bis itu pulang deh...
wuih di rumah ada donay j'co n pempek menunggu....
asik asik asik.... hajarrrrrrrrr....
hahahaha... trus apa lagi ya??????
ah blom tau ntar deh klo lagi ada ide buat osting lagi...
huhuhu...
dudu bubyee.......
Selasa, 19 Mei 2009
Ngumpul2 hehehehe...
wiewwww hbis pelantikan langsung latihan besoknya...
hehehehehe...
latihan nya sih kurang seru habis banyak yang gak masuk gitu mungkin kecapean kali yaaaaa....
hahahahaha.....
tapi pulang latihannya itu lho buat seru..
pas waktu mau pulang gitu eh ngeliat anak2 baru lagi pada stop dijalan...
yah gw tanya seh mau ngapain kalian stop dijalan gitu..
wuihhh mereka ngejawab "mau jalan2 kak, kak ikut kami aja jalan2 biar seru gitu klo ada kak adit"
ah hahaha... langsung aja gw jawab iya deh okwe...
ujuan pertama kita sih simpang dogan...
beeeuuhhhhhh... disini kita minum dogan ampe kelenger..
trus foto2 juga...
trus rekam juga.. yang pasti seru lah bercanda2 gitu
hihi
ayoo serupa tapi beda banget apa bedanya....
nih hehehehehe.......
dengan muka yang capek semua... tapi seru lah..
hahaha kita minum kelapa muda ampe lemes n mules semua gitu.. hehehehe
...
habis dari sana kita ke ptc mall cuma untuk foto2...
hahahahaha dengan perut mules semua..
kita langsung ke lantai atas n parkiran disana untuk foto2..
jah jah jah... kita pada narsis nih..
hahaha njihhh:
hahahahahahaha....
trus kita ke parkiran yang bagus bgt untuk tempat foto2...
hahaha..
ah hahahaha.... seru2.. dah
hu huh huhu
wah ada penampakan di depan..
hahahaha....
eh hehehehe.. wiieeewww...beuh...
ahh hahahahaha...
habis itu gara2 kelapa muda tadi kita pada mules rame2.. hahahaha...
rame2 dah ke wc, isi tuh wc kita semuaaa..
jah malah sempet foto2 lagi *hahahaha*
hahahahahaha habis itu pada ngantri boker deh..
wuihhhhh.. ayo perang semangat semua!!!!!
hahahahaha..
dan habis itu kita siap pulang kerumah masing2 dah walau ada sedikit masalah seh...
sempet foto....
hahaha,....
nih setelah dari wc
setelah mau pulang nih.....
ahhhhh waktu mau pulang hujan lagi...bisa2nya palembang ini..
jah di tambah lagi si peby tiket parkirnya hilang lagi....
uhhhh..... nih fotonya
tuh yang lagi makan...
ah hahahahaha... trus blom selesai peby eh si yos juga tiket masuknya salah...
kok bisa ya salah gitu.. aneh
tuh yang pake kacamata..
btw si yos lagi kita gosipin ma rika lho....
hahaha..
nih hahahaha..
nih pic jelas nya rika
klo jadian nian selamat yo...
huahahahahaha... *ketawa ala biang gosip*
hahahaha...
udah dulu ah nge posting nyo...
pegeeelllllll
hehehehehe...
latihan nya sih kurang seru habis banyak yang gak masuk gitu mungkin kecapean kali yaaaaa....
hahahahaha.....
tapi pulang latihannya itu lho buat seru..
pas waktu mau pulang gitu eh ngeliat anak2 baru lagi pada stop dijalan...
yah gw tanya seh mau ngapain kalian stop dijalan gitu..
wuihhh mereka ngejawab "mau jalan2 kak, kak ikut kami aja jalan2 biar seru gitu klo ada kak adit"
ah hahaha... langsung aja gw jawab iya deh okwe...
ujuan pertama kita sih simpang dogan...
beeeuuhhhhhh... disini kita minum dogan ampe kelenger..
trus foto2 juga...
trus rekam juga.. yang pasti seru lah bercanda2 gitu
hihi
ayoo serupa tapi beda banget apa bedanya....
nih hehehehehe.......
dengan muka yang capek semua... tapi seru lah..
hahaha kita minum kelapa muda ampe lemes n mules semua gitu.. hehehehe
...
habis dari sana kita ke ptc mall cuma untuk foto2...
hahahahaha dengan perut mules semua..
kita langsung ke lantai atas n parkiran disana untuk foto2..
jah jah jah... kita pada narsis nih..
hahaha njihhh:
hahahahahahaha....trus kita ke parkiran yang bagus bgt untuk tempat foto2...
hahaha..
ah hahahaha.... seru2.. dah
hu huh huhu
wah ada penampakan di depan..hahahaha....
eh hehehehe.. wiieeewww...beuh...
ahh hahahahaha...
habis itu gara2 kelapa muda tadi kita pada mules rame2.. hahahaha...
rame2 dah ke wc, isi tuh wc kita semuaaa..
jah malah sempet foto2 lagi *hahahaha*
hahahahahaha habis itu pada ngantri boker deh..wuihhhhh.. ayo perang semangat semua!!!!!
hahahahaha..
dan habis itu kita siap pulang kerumah masing2 dah walau ada sedikit masalah seh...
sempet foto....hahaha,....
nih setelah dari wc
setelah mau pulang nih.....ahhhhh waktu mau pulang hujan lagi...bisa2nya palembang ini..
jah di tambah lagi si peby tiket parkirnya hilang lagi....
uhhhh..... nih fotonya
tuh yang lagi makan...ah hahahahaha... trus blom selesai peby eh si yos juga tiket masuknya salah...
kok bisa ya salah gitu.. aneh
tuh yang pake kacamata..btw si yos lagi kita gosipin ma rika lho....
hahaha..
nih hahahaha..nih pic jelas nya rika
klo jadian nian selamat yo...
huahahahahaha... *ketawa ala biang gosip*
hahahaha...
udah dulu ah nge posting nyo...
pegeeelllllll
Senin, 18 Mei 2009
Pelantikan Marching Band
Aowww, nih pelantikan Marching Band buat seru aja,,
udah satu minggu gak tidur karena begadang ma yang lain,,
wuihhhh... maknyoss...
banyak kejadian seru nih,,
pagi2 jam 3 udah standby di pusri...
wuih jam 5 teng baru nih disiapin...
tapi sebelum itu kita kembali ke tanggal 8 mei dulu...
8 mei : bintal
hahahaha....
di tanggal 8 mei ini sehari sebelum pelantikan kita ngebintal anak2 baru yang mau di lantik,
gw disana harus marah2 nih *oh shit gw paling gak bisa marahin orang nih....*
alhasil gw ngajarin mereka ltbb ma displaying movement aja ma mereka...
hahaha berhasil nih ngajarin mereka...
hore hore....
jiah.. lumayanlah buat mereka untuk belajar...
entah gw yang baik atau gw yang lembut ya?????
hahahaha..
nah mereka setelah selesai di bintal itu lgnsung dah di bekelin apa yang mereka harus bawa buat bsok pelantikan...
wuih mereka disuruh dateng jam 5,
hehehehe... sukurin pikir gw!!!!
JAH......ternyata ketua Panitia nya Nyuruh yang ngelantik n panitia disuruh dateng n standby jam 3 pagi di mabes....
Maknyossss... sialan lu win, gw biasaya aja bangun jam 9 aja udah otomatis nih...
gara2 lu gw gak tidur... hooooaaaahhhhhhhhmmmmmm.....
9 Mei : Ready to Ngelantik....
At 02.00 am :
Ahh.. dengan mengantuk dan harus bangun, akhirnya mandi juga gw pagi - pagi.... dan gilanya gw sempet tidur lagi dikamar mandi ambil berdiri..
wowwwwwwww...... mandi ampe jam setengah tiga...
langsung dah pak baju staff gw yang uda 3thn lebih gak di pake....
wow masih muat nih... hehehehe....
trus karena masih pagi n males berkendara langsung aja dah mobil bokap gw embat.. yaw hahahahaha...
si bokap ampe geleng2.. jam 3 lewat dikit gw tiba nih di mabes..
n YOU KNOW OH SHIT, Anak2 yang pada nginep dirumah genta belom ada yang Bangun n Alhasil gw terdiam sendiri disana....
bner2 deh tuh anak2 sial....
langsung aja ku korbankan pulsaku untuk telpon si ewin....
*tuuuuuuttt...... tuuuuuuuttt... ttuuuuuuuukreeeek.. (ada yang angkat)*
ewin : haloooooo *dengan nada setengah sadar*
gw : OIIII KERAKKK NERAKOOOOOO, BANGUUUUNNN AKU LAH DI PUSRI KATO KAU JAM 3 LAH DISINI KAU ITU KETUANYO JABLAY...
Ewin : oh iyo yo... oiiiii galo2 bangun.... adit lah di pusri... lah jam 3 ini bangun... dit tunggulah yo kami mandi dulu......
gW : cepet kerak, kalo perlu dak usah mandi jugo dpp, dak ado bedanyo lah..
Ewin : Mata kamu.. hahahahaha
Gw : Dasar cepetlah jangan lamo... trek gw tutup tuh telpon
* oh shit gw lupa di itu rumah ada berapa orang ya???? mau nungguin ampe jam berapa???????????
tuiiiiinnnngg n last
at 04.15 :
jah mereka baru tiba, dengan santainya mereka menjawab...
"oiiiii kance lah lamo yo".... *bukan lamo lagi, kerak nian kamu itu*
jah....
jam stgh 5 gw standby dah di diklat pusri nunggu tuh anak2 yang dilantik...
jah hahaha jam 5 leweat mereka baru ngumpul hahahaha..
akhirnya jam 6 lewat mereka siap2 untuk jalan ke aula yspp..
huh selesai juga tugas pertama....
oh shit ada yang nambah kerjaan aja, ada yang bawa kendaraan sendiri, padahal udah disuruh jangann bawa kendaraan...
ah terpaksa gw sendirian nunggu temen minta tuh kunci motor ma anak yang dilantik...
dongkol gw sendirian disono...
at 07.00 pelantikan di mulai...
hahaha... kereeeennn.. mereka pada lucu2 padahal temanya jepang
tapi mereka kok malah mirip petani yaa....
hahahahaha...
hahahaa... eh ada yang di foto malah pake gaya...
lucuuuuuuuuuuuu.......
pada minta tanda tangan, hahaha...
ada yang gw foto n gw video in tuh...
hahahahaha.....
n jam 10 mereka masuk pos 2, itu mah di tk...
disana mah seniornya pada galak2 banyak juga yang pucet n nangis....
ah hahahahahaha.....
nah jam 12 mereka masuk pos 3....
nah disini mereka seleksi...
huhhuhuu...
n sambil pelatih nyeleksi gw ngebacai tuh puisi cinta buat senior....
owww ternyata buat gw paling banyak... sial seneng bgt gw...
hahahahaha.....
nah waktu acaa bebas gw ngisi ngeband n yang lain juga ngisi sebelum acara selesai ada pembacaan puisi cinta nah sial nya waktunya gak cukup habis udah sore n yang ngasih gw bunga gak sempet di bacain...
tapi untung gw udah tau dari siapa tuh bunga...
dari aulia salah satudari anak baru terfavorit tuh anaknya manis juga hihihi..
aulia thanks ya bunga nya, tapi suratnya itu lho kok kesannya ku ini kaya penyakit ya???
hahahaha
nah setelah apel ternyata gw kepilih jadi kk tervavorit.. hore dapet baju...
hehehehehe....
makasih ya semua nya udah milih kk sebagai kk tervavorit...
huuuuu yeahhh
opening nih... huahahaha
wuihhhhhh,,,
nih blog gw nih mau cerita apa yaaaaaa????
ah hahahahahaha... blom tau nih..
hmmmmm... hidup gw banyak cerita nih.....
cerita apa ya...
di mulai dari diriku..
aku nih seorang anak *masih anak2 ya* yang sangat suka ma musik, seorang yang suka banget ma gitar, ampe ngedalemin nya, dan penyesalan terbesar adlah saat gw ngebakar gitar gw.... ditambah patah lagi tuh gitar...
hiks hiks hiks...
trus gw juga suka bgt ma yang namanya marching band, i'm a trumpet player boooo.... wuih kmaren harga mouthpice pesenan gw Rp 688.000,-
ajiiiiibbbb, maknyooossss ampe gak bisa nafas gw denger nya..
ah hahahaha,
trus gw lagi sebel ma yang namanya prisa adinda,
tuh gitaris cewek dari dulu ngajak ribut trus, knapa ya???
apa jangan2 dia suka kali ya ma gw *ngarep bgt tuh*
hahahaha...
owwww yeah, udah semaleman ini gk tidur sama sekali, there something to cdo nih...
hahahahaha.....
apa lagi ya???
banyak deh
nih blog gw nih mau cerita apa yaaaaaa????
ah hahahahahaha... blom tau nih..
hmmmmm... hidup gw banyak cerita nih.....
cerita apa ya...
di mulai dari diriku..
aku nih seorang anak *masih anak2 ya* yang sangat suka ma musik, seorang yang suka banget ma gitar, ampe ngedalemin nya, dan penyesalan terbesar adlah saat gw ngebakar gitar gw.... ditambah patah lagi tuh gitar...
hiks hiks hiks...
trus gw juga suka bgt ma yang namanya marching band, i'm a trumpet player boooo.... wuih kmaren harga mouthpice pesenan gw Rp 688.000,-
ajiiiiibbbb, maknyooossss ampe gak bisa nafas gw denger nya..
ah hahahaha,
trus gw lagi sebel ma yang namanya prisa adinda,
tuh gitaris cewek dari dulu ngajak ribut trus, knapa ya???
apa jangan2 dia suka kali ya ma gw *ngarep bgt tuh*
hahahaha...
owwww yeah, udah semaleman ini gk tidur sama sekali, there something to cdo nih...
hahahahaha.....
apa lagi ya???
banyak deh
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